Of shoulders like
continents and love in Ferrari
Many years ago when I
first met Jim Berger in Tanzania we shared art, music and literature
constantly. He was one of many foreign teachers working at International School Moshi.
During those pre-internet days when there were no social networking forums, this sort of open exchange was uncommon and quite uplifting for two young writers from totally
different cultures. I
thought he was a very abstract writer. We are talking 1981 and 1982. As a young African author I thought like (the rest of my generation )
that literature and art should serve a purpose.Stimulate, educate, liberate. Message art. Bob Marley, Ngugi wa Thiong’o, Gil Scott Heron, that type of line.
Back then, my writing was still in its
infancy. I had been an active journalist for around five years. Had few poems published. Was in a music band
called Sayari. Had just won a BBC Prize in 1981......little going on yet... not a total beginner, nevertheless.
Fast
forward, thirty something years later
and in stumbles James Berger’s “Prior” 2013 collection. I don’t think James has changed. He is still
writing the same way. It is me who has a different perspective. James Berger is now
a senior lecturer at Yale University, a professor running workshops and
classes on language and literature. The man is still the same, yes, but with few more tricks up his steadily, evolving sleeves. Yes. Jim Berger
in evolution. Plays trombone instead of guitar (like those Moshi days), married
with kids.
James Berger in London, Summer 2014...